here is a test. i am going to share a poem, and then share the thinking behind the poem. tell me, if you encountered this poem, would you be happier, or sadder if i stopped to explain things before you read the poem?
the word
the wind before it swirls
the earth before it shakes
the sea before it rises
the fire before it consumes
the word of the creator
unleashed it is a disaster
creation itself rips open
people weep at the tragedy
the rubble
and the bodies
and no warning
and why hangs in the air like fog
why?
didn't you know we would
tame
sort
index
typeset
and place on the shelf
next to the cookbooks
unified field
encircling strong and weak
gentle gradient from light to gravity
blown into bits
by the textual particle accelerators
of quantum theologians
and used to generate power
for our modern lifestyle
until the day
the day
the day that the containment vessel
fails to contain
how could servants of love
do this?
we ask
for forgiveness
for guidance
that we might learn to live
without needing that much power
ever again
this poem is part of a running project. to say things imperfectly in poetry instead of letting them rot inside me because i can't say them well in prose. specifically things that i feel begin to point towards what i hope i will discover as i continue to move from the comfort of evangelical certainty towards the living god.
to me (and i fully admit that often i am wrong about what my poems are about), this is a poem about what happens when we treat the bible like a textbook. we find ourselves, almost helplessly, doing things to the world that should never be done. i've done it myself in small ways, and history has shown the church is quite capable of some monstrous things under the influence the clear and well understood meaning of the commands of god.
the musing was on the best reaction to this. maybe, having given up on the idea that i just needed more tools to be able to harness the power of the bible for good, the right reaction is to try and read the bible in a way where it has no power over you, so it can't drive you to do crazy things.
as i thought about that, it struck me that maybe the problem was in what happens to the power to redeem the universe when you slice the passion of the creator into tiny pieces and warp it and force it, against the tension and curvature natural in itself, to be rectangular and finite. maybe i needed fewer tools and not more of them.
maybe there was a way to let the stories have power ...
i thought about the quote of decartes that i once read, about how we demonstrate our understanding of things by gaining dominion over them. then this image of incredible power placed in a a box so it could be controlled, but was it controlled or was that simply creating a potential explosive disaster?
so, better just the poem, or better with the poem and the prose? your vote is appreciated.
i know i know, cool poets let their poems speak for themselves. i fully admit to not being a cool poet.


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